Wednesday, January 29, 2020

The Illustrated Man Essay Example for Free

The Illustrated Man Essay Ray Bradbury wrote The Illustrated Man in 1951. The general context of that time in the USA had a powerful impact on the themes he chose to base his book on. The Second World War had seen horrific crimes against humanity, dictatorship and a change in family life which was due to both the huge number of dead fathers and the great technological development. Women started working more and more in jobs previously seen as exclusively male and appliances such as the washing machine and the vacuum cleaner cleared more time for the typical housewife. Affected and inspired by these circumstances, Bradbury wrote his 18 different stories in the book, exploring family life, technology implications and politics from extreme points of view. The stories chosen here to be discussed in a comparative and contrasting manner are The Veldt, The Rocket, Zero Hour, The Fox and the Forest and The Other Foot. The main reason for choosing these is their outstanding figurative representation and artistic input. Family life takes a new turn, as Bradbury presents in The Veldt, and it isnt positive. The father-son relationship deteriorates as we can see from their conversations. Even though the parents have done their best to fulfil all their childrens wishes, the final effect is a tense family relationship, mainly characterised by the childrens selfishness. Peter, the son, regards his father as nothing more than a sort of institution to fight against, rather than anything close to his heart. Whats wrong with Africa, Father? calling him Father, on multiple occasions after initially calling him Dad, Also, there is some verbal violence between them, as suggested I dont think youd better consider it any more, Father, I wont have any threats from my son! However, The Rocket provides a completely different picture. Although poor, all members of the family get along and support each other with respect. I go to Mars! He danced wildly. Thank you, Father!' The children are grateful for everything and love their parents. In opposition to Peter and Wendy from The Veldt, the children here are selfless. Another heavy element in Bradburys view of the future is the power of imagination. Once more, this is portrayed as evil or heavenly. In The Veldt the children end up killing their parents through the sole mean of imagination fuelled by the nursery. A similar scenario is suggested in Zero Hour where aliens abuse childrens rich potential for imagination to invade the perfectly defended Earth. A brighter story from this point of view is The Rocket, because the father uses the power of imagination and simulation to offer his children an amazing experience which would have been impossible to achieve in their materially limited reality. The technology bloom in the 1950s influenced Bradbury to magnify his vision of the future in terms of the way homes looked and worked, as well as space travel and time travel. The parents in The Veldt buy a Happy Home which does everything for them: cooks, cleans and rocks them to bed. This seems amazing at first, but they end up wishing they could leave their perfect home behind and start fresh in a regular house, Youre beginning to feel unnecessary, too, says Lydia. Bradbury uses figures of speech to represent this, emphasizing on personification of dead objects And although their beds tried very hard, the two adults couldnt be rocked to sleep for another hour, Also, it appears that children come to replace their parents with the nursery, I wish you were dead! We were, for a long while, The father realises that he and his wife havent spent enough time with their children, making them feel more attached to machinery, That sounds dreadful! Would I have to tie my own shoes instead of letting the shoe tier do it? The language Bradbury uses to describe the nursery is very effective. He uses the senses to emphasize the powerful reproduction of the African veldt, The hot straw smell of lion grass, the cool green smell of the hidden water hole, the great rusty smell of animals, the smell of dust like a red paprika in the hot air, The simile dust like a red paprika and the repetition smell give a good impression of the veldt, the heat and the strong odours in the air. Another technological vision present in Bradburys writings is space travel. In The Rocket, rich people are able to travel and live in space. This is shown as a part of their daily routine, as Bodoni watches the rockets every night and his children have rocket toys. Also, he is able to buy a ticket next day, emphasizing on the ease with which people travel in space. In The Fox and the Forest people are able to travel in the past, anywhere, Travel in Time, Inc., can costume you, put you in a crowd during the assassination of Lincoln or Caesar! This shows the extent to which Bradbury sees the technology rise. Perhaps the most horrifying element of the stories is war within the context of dictatorship and dystopia. A well-portrayed story from this point of view is The Fox and the Forest. Mexico is celebrating during WW2, Everything was good and sweet, the air was that blend of the dead and the living, of the rains and the dusts, of the incense from the church, and the brass smell of the tubas on the bandstand which pulsed out vast rhythms of La Paloma, The atmosphere in Mexico contrasts with the one in the future in the year 2155. The use of language here portrays a horrible world of war and dictatorship, A world that was like a great black ship pulling away from the shore of sanity and civilization, roaring its black horn in the night, taking two billion people with it, whether they wanted to go or not, to death, to fall over the edge of the earth and the sea into radioactive flame and madness, The repetition of the word black in black ship and black thorn signifies death, nothingness and everything evil; the simile A world [] like a great black ship pulling away from [] civilization, shows how the world has shrunk all its possibilities into a black vessel that no one can get out of. The world has lost all its spirit and joy, and all that remained was a continuous chain of destruction and manslaughter. This is a great way of representing dystopia. The political and social elements present in Bradburys The Illustrated Man reflect warnings to humanity, a potential Third World War and its imminence. In The Other Foot there is a strong reference to the racism experienced by black people during the 20th century. You remember how they hung my father on Knockwood Hill and shot my mother? Despite this, the story ends in a positive tone, reflecting Bradburys hope for the future, even in the event that most of it is destroyed. Now everythings even. We can start all over again, on the same level, Bradburys views of the future contrast on all levels, peace and war, wealth and poverty, good families and bad families. In his dark visions there is always a spark of light and in his most utopic views there is a pinch of evil.

Tuesday, January 21, 2020

The True Heroes in Hemingways The Sun Also Rises Essay -- Hemingway

The True Heroes in Hemingway's The Sun Also Rises   Ã‚   The imagery of bulls and steers pervades Hemmingway's novel, The Sun Also Rises. Bullfighting is a major plot concern and is very important to the characters. The narrator physically resembles a steer due to the nature of his injury. Mike identifies Cohn as a steer in conversation because of his inability to control Brett sexually. Brett falls for a bullfighter, who is a symbol of virility and passion. However, there is a deeper level to the bull-steer dichotomy than their respective sexual traits. The imagery associated with bulls and steers is more illustrative than their possession or lack of testicles. In their roles and in the images associated with them, bulls are glorious, exciting and dangerous. Steers are humble, impotent and safe. Hemmingway's treatment of these associations favors an ethic of weakness prevailing over strength. Despite the seeming advantages to being a bull and the explicit statements in their favor, steers are the true heroes in Hemmingway's novel .   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The imagery associated with bulls and steers is confusing, since it is clearly supportive of bulls over steers. Bulls are associated with passion. Those who identify with bulls through their enthusiasm for bullfighting are called "aficionado" from the Spanish word for passion (131). Those who lack aficion are valueless while a true aficionado is a "buen hombre" (132). The bulls are "beautiful," muscular, aggressive and "dangerous" (139, 141). Because of their physical prowess and their sexual potency, bulls are capable of ascending to the heights of glory. They arouse passions in the crowds who gather to watch them run and fight. In sharp contrast, the steers are weak and emasculate. ... ...dencies. Without the bulls, the steers would stagnate. Without the steers, the bulls would self-destruct. The novel is a story about passion and how it must be pacified by the pedantic voice of normalcy. The way of the steer rescues the way of the bull from its conclusion in self-annihilation. In turn, the aficion of the bulls gives meaning and purpose to the life of the steer.    Works Cited and Consulted: Bloom, Harold. Ernest Hemingway. New York: Chelsea House Publishers, 1985. Hemingway, Ernest. The Sun Also Rises. New York: Simon and Schuster Inc., 1993. Kerouac, Jack. On The Road. New York: Penguin Books Ltd., 1976. Svoboda, Frederic J. Hemingway and The Sun Also Rises: The Crafting of a Style. Kansas: The University Press of Kansas, 1983. Young, Philip. "Ernest Hemingway." Encyclopedia International. v. 8, p.388-389. 1982 ed.

Monday, January 13, 2020

Business Culture in Turkey

Business Culture Overview A brief overview of Etiquette/Relationships, Business Negotiations, and Communication when dealing with business in Turkey. Etiquette and Relationships Business etiquette in Turkey revolves around personal relationships. Appointments are necessary and should be made in advance. Avoid making these appointments during Ramadan and the months of July and August. Be punctual, although be prepared to be kept waiting for appointments or meetings. Small talk is welcomed during business meetings, do not open up with the business matter at hand immediately.Have all documents in English and Turkish, as well to include charts, graphs, and visual aids. When dressing for business in Turkey, it should be conservative. Exchanging of business cards is a sign of trust from most businessmen. It is important to shake hands when entering, however not so when departing. Business Negotiation Always come to Turkey knowing two things. Success is defined by your ability to establish to build effective personal relationships. Business is personal. Many businesses are still family run although it is changing with MNC’s growing fast.The first meeting is purely social, then from there it will be about business. Do not include any surprises or mystery to your proposal. They are more inclined to visual objects, so include charts, graphs, statistics in presentation. Decision making tends to be slow, it has to pass from less senior members all the way up the hierarchy. Turkish businessmen will start at extremes to engage responses. Know your target figure and work to compromise to a number in the middle. Do not use any pressure tactics or abrupt deadlines because they will just reverse this tactic right back at you and it may drive them away from the deal.Communication Turkish people prefer to conduct business with people they are very trustworthy of. Courtesy is crucial in all business settings. Stand close while conversing, do not back away as it considered ru de. Do not be impatient, many initial questions will not be about the topic at hand, but rather about family, children, soccer and more. Turks are proud to answer questions about their history, culture, but avoid political history. It is vital to maintain eye contact while talking, it is a sign of sincerity. Make sure any gifts are appropriate if given. It is not customary for them to exchange gifts in a business setting however.